| （1.南京师范大学 体育学院，江苏 南京 210046；2．河南师范大学 体育学院，河南 新乡 453007） 摘 要：基于哲学视域，运用文献研究、逻辑分析和对比分析等方法对武术审美体系形成路径进行学理性探索。研究认为，武术审美是诉诸于主客体间的交互作用而产生；以武术形象和技术结构的丰富与创建作为审美对象，除其自身具备美的特征以外，还要诉诸于审美主体情感传递作用并予以调控；以形神表达、虚实手段和情景呈现反作用于武术审美客体，使其呈现出寓情于景的效果，进而达到武术审美体系的多元化融合。 |
JI Can-zhong1，ZHAO Ya-nan2
| （1.School of Physical Education，Nanjing Normal University，Nanjing 210046，China；2.School of Physical Education，Henan Normal University，Xinxiang 453006，China) Abstract: Based on the perspective of philosophy, by using methods such as literature study, logic analysis and comparative analysis, the authors carried out an academic exploration into the Wushu aesthetic system formation path, and drew the following conclusions: Wushu aesthetics is produced by the interaction between the subject and the object; based on the enrichment and establishment of the Wushu image and technical structure as the aesthetic object, beside that itself has beauty characteristics, it needs the aesthetic subject’s emotion delivery function and regulation; reacting on the Wushu aesthetic objet via form and spirit expression, virtual and real means and scenario presentation, so that it presents an effect of emotion embodying in the scenario, thus achieving the diversified fusion of the Wushu aesthetic system. |
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