| （1.丽江师范高等专科学校 体育人类学研究中心，云南 丽江 674100；2.华南师范大学 民族体质与健康研究中心，广东 广州 510006） 摘 要：对纳西族东巴跳及丧葬舞蹈进行多次田野调查，并运用体育人类学动作分析法进行实证研究，表明纳西族丧葬舞蹈动作的文化符号特征是“连臂一体”及动物模仿，为氐羌系民族迁徙历史传统中保留的特殊身体文化积淀。在图腾生殖崇拜影响下，纳西先民从“连臂一体”的丧葬舞蹈中解放出双手，产生了可精细化的个体动物模仿巫术。祖灵和神灵崇拜出现和发展，促使纳西族丧葬舞蹈演变为东巴跳。 |
HE Chun-yun1，HU Xiao-ming2，GE Jin-run1，HE Yong-jie1
| （1.Research Center for Physical Anthropology，Lijiang Teachers College，Lijiang 674100，China；2.National Constitution and Health Research Center，South China Normal University，Guangzhou 510006，China) Abstract: The authors conducted several field investigations into Naxi Dongba dance and funeral dance, and did an empirical study by means of movement analysis in sports anthropology, and revealed the followings: the cultural symbol of Naxi funeral dance moves is characterized by “arms and body integrated” and animal imitation, the spe-cial body culture heritage remained in the migration history tradition of the Diqiangxi nationality; under the influ-ence of totem reproduction worship, Naxi ancestors freed their hands from “arms and body integrated” funeral dance, developed finely imitable individual animal imitation witchcraft; the appearance and development of ances-tral spirit and gods worship promoted the transformation of Naxi funeral dance into Dongba dance. |
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