| （中南大学 外国语学院，湖南 长沙 400083） 摘 要：围棋作为一种竞技性游戏，本是形而下之“技”，但其后又逐渐成为艺术，并与形而上之“道”联系起来。围棋的这种意义生成过程，与中国传统的知识生成机制有关。中国围棋的意义建构，在棋论之间、围棋与其它棋种之间，形成一种“互文关系”，最终指涉的都是中国文化。中国围棋理论，与其它各种棋类理论，包括琴、书、画、诗、文理论，都是共用一套话语，言说不同的对象，这决定了它们之间话语的相通，当然也有其各自的独特性。 |
HE Yun-bo
| （School of Foreign Language，Central South University，Changsha 410083，China) Abstract: Weiqi as a competitive game was originally a physical “skill”, yet later gradually becoming an art and connected to metaphysical “Taoism”. This process of meaning generation of Weiqi is related to traditional Chinese mechanism of knowledge generation. The meaning construction of Chinese Weiqi forms an “intertextual relation” between Weiqi theories, and between Weiqi and other board games; what they ultimately refer to is Chinese culture. Chinese Weiqi theories, other board game theories, as well as musical instrument, calligraphy, painting, poetry and writing theories, are all using the same set of discourse to describe different subjects, which decides their discourse commonness, of course, they have their own particularities as well. |
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